Located in the front of Henry Ford Museum is Anderson Theater. The theater plays a variety of roles today, from a space for presentations to wedding ceremonies. Regular visitors might be familiar with the theater, but here’s a bit of Anderson Theater production history.

Originally named the Henry Ford Museum Theater, it was built in 1929. Since the opening of the museum drama has been performed on Anderson’s stage, first done by the Edison Institute students. A professional theater program began in 1964 under the direction of Ted Payne.

In September of 1965, Joseph French took over the theater department and became the new producer, a position he held until the program ended in 1995. The first actual production was during the holidays in 1965 – “Rip Van Winkle.” An annual Easter production began in 1972 and ran through 1982. Finishing out the 1970s, the American comedy series began in 1976. The first full subscription season of evening shows (and select matinees) began in 1978 and ran through December 1995. Holiday plays ended at the end of December, 2004.

The theater was renovated in 1994 and re-named the Sally and Wendell Anderson Theater because of their generous donation to the theater. (Sally and Wendell were long supporters of The Henry Ford. Wendell served on our board of trustees from 1982-1993.) This renovation provided the theater with refurbish restrooms, developed the dressing rooms, along with new carpet, and upholstery for the seats.

The first play that was held after Anderson Theater was re-opened was “The Witching Hour”

Today Anderson is a popular spot for wedding ceremonies at The Henry Ford thanks to the stage and theater-style seating. A fun trend we’ve seen from couples from time to time is to turn Anderson Theater wedding invitations into tickets or playbills to celebrate the theater’s history. After all, as the history of Anderson Theater will tell you, the play's the thing!

Aileen Lessnau is a Social Event Specialist at The Henry Ford

events, by Aileen Lessnau, Henry Ford Museum, #Behind The Scenes @ The Henry Ford

In 1971 Henry Ford Museum Administration Management began to implement a new master plan program for significant improvements to support the Museum and Village's upcoming celebration of the United State's Bicentennial. Greenfield Village improvements included construction of a new area called Riverfront Street (later known as Suwanee Park), new or improved visitor amenities, and a railroad that would circle the perimeter of Greenfield Village.

The Perimeter Railroad element of the project included the requirement for two operational locomotives, three new passenger cars, building a train maintenance facility (train shed), and the construction of 2.5 miles of track.

One of the major influences in deciding to develop a Perimeter Railroad was a 1968 presentation given by Edison Institute employee Tom Urban. Urban independently developed a plan and went as far as hiring an airplane with his own money to take aerial pictures of the Village. The photographer for this venture was a young man by the name of Rudy Ruzicska - our current photographer. These pictures were used by Urban in a presentation to Finance Director Lyle Hughes to demonstrate the feasibility for the routing of the railroad. Hughes was so impressed he set up a meeting with other members of senior staff to present the proposal.

Hughes’ proposal was well received and a study was started to see how to make the plan a reality. Leslie Henry (Curator of Transportation) began a study that included a number of options. Some of those options were: purchasing and moving a complete functioning railroad (with four miles of track), leasing the locomotives and cars or obtaining our own locomotives and building a railroad from scratch.

One of Henry’s inquiries during his study was to contact the Northern Peninsula mining company about an 1873 Mason-Fairlie locomotive. The Calumet & Hecla Mining Company was in the process of celebrating their 100th anniversary and had the 1873 locomotive on display in Calumet, Mich. After the celebration ended C&H agreed to donate the locomotive to The Edison Institute where it would be restored and maintained in running condition.

The restoration of the Torch Lake was to be completed in 1971 for exclusive use in an interim ride known as the One-Way Railroad. For the following year it would become the secondary locomotive for the next phase of the plan, the Perimeter Railroad.

For the primary locomotive it was decided to take the Mason #1 locomotive out of the museum and make it operational.

The Mason #1 was originally a wood-burning 0-4-0 locomotive built by the Manchester Locomotive Works in Manchester, N.H., in the 1870s. Ford purchased the locomotive and tender from the Edison Cement Corporation in 1932.

After the purchase, Ford had the locomotive sent to the Ford Rouge Shops were it was rebuilt and significantly modified to its current 4-4-0 configuration. Additionally, the boiler was enlarged and the sand dome was moved forward. The tender was rebuilt and appears to be in its original configuration.

After the restoration/modification of the locomotive and tender was completed, it was moved into Henry Ford Museum and put on display with the number plate and designation of “Mason #1.”

The Edison Institute did not have the facilities to complete the work necessary to make Mason #1 functional, so bids were requested. Keystone Products of Pittsburgh, Penn., was selected to repair the Mason #1 (Edison) locomotive and tender as well as construct three passenger cars that would be built on used chassis that Keystone would purchase.

The Mason #1 (Edison) and tender were transported by trailer to the Keystone plant in December of 1971. The contract called for replacement of the boiler, rebuilding of the compressor, governor gauge, locomotive/train valves and brakes on the tender. The Edison at that time was oil fired and the fire pan, burner, damper, fire clay lining and oil tank were to be rebuilt. The schedule for the Mason #1 restoration was that all work would be completed and the locomotive and tender would be operational by March 31, 1972.

The construction of the three-passenger cars was a less-than-straight forward process with many design options being discussed throughout the construction. Two of the cars were to be built from existing chassis and a third was going to be built on a soon-to-be purchased obsolete caboose. These cars were to be added to the three already built by Crown Metals for the 1971 One-Way Railroad.

In October of 1971 the landscaping architectural firm of Ecbo, Dean Austin & Williams (EDAW) was given approval to begin developing landscaping plans for the new track. EDAW, located in Los Angeles, Calif., was a highly respected firm with national recognition for their cultural landscaping efforts with universities and national parks.

The architectural firm of Nordstrom-Sampson & Associates from Dearborn was contracted for development of the track layout and grading. Additionally, an engineer from the DT&I railroad was acting as a consultant to N-S&A. Thomas P. McEvilly of N-S&A was chosen as the field superintendent for the project.

The Edison Institute retained Herb Rosenthal and Associates, Inc., as the designers for the new Perimeter Railroad. This project included the track system, a covered platform near Main Street (now Firestone Station), a covered platform at the Riverfront Street area (this platform is now a part of the Henry Ford Academy campus) and a platform at the east end of the Village area. The later platform was removed from the contract just as overall construction was to begin.

The Walter L. Couse Company of Detroit was awarded the contract to build the roadbed and lay the track. In all 12 companies were involved in the project’s construction.

The master plan called for the railroad to be fully functional no later than July 4, 1972. It is unclear if the original intent was to have the new platforms completed by this date, but their actual construction would not be completed until the 1974 season.

Work progressed on the tracks and the roadbed throughout the spring and early summer. Existing water lines, sewers, and gas lines had to be moved as well as filling in some soft clay areas with compacted sand backfill. Several weeks of exceptionally wet weather served to slow progress and put the scheduled July 4 completion date in jeopardy.

In late June track and roadbed construction had progressed to the point where a trial run from Smiths Creek over to the Main Street area was conducted. This run served to identify a number of issues with the curves, rails and switches and the contractors were instructed to make immediate corrections. It was also determined that the public opening of the railroad would need to be postponed to Aug. 23, 1972.

By early August work had progressed to the point where a test trip of the complete 2.5 miles could be conducted. On Aug. 9 the Torch Lake was fired up, cars were attached and a small crew of employees and management rode around the complete perimeter of the Village. (Although the original plan called for the Mason #1 to be the primary locomotive, for some reason the Torch Lake was given that role for the inaugural run even though Mason #1 was on the grounds.) There were a number of issues with the rails, ties and ballast, but not enough to postpone the rescheduled public opening.

The inaugural trip for the Perimeter Railroad was on Tuesday, Aug. 22, when the three cars were loaded with specially invited guests at Smiths Creek Station. The Torch Lake then pulled the consist up to the Main Street crossing were it waited while then-Edison Institute President Dr. Donald Shelley and Board Chairman William Clay Ford drove in the final spikes (painted gold) with chrome plated spike mauls.

The Perimeter Railroad began regular service the following day offering 18 trips around Greenfield Village with each trip lasting about 20 minutes. This schedule provided for a capacity of 3,500 riders per day. For at least the first year of operation, Smiths Creek would be the only stop.

Engineers Frank Petroski (formerly New York Central) and Ivan D. Mead (formerly Grand Trunk Western), who were engineers for the One-Way Railroad, were back to alternate duties on the Perimeter Railroad.

The total number of riders for that first year was 154,761, which were 66,516 more rides than the One-Way railroad had the previous year.

Don LaCombe is Supervisor of Transportation & Crafts Programs at The Henry Ford.

Additional Readings:

• Railroad Junction
  
• Greenfield Village's One-Way Railroad
  
• Greenfield Village Perimeter Railroad: Completing the Plan
  
• Greenfield Village's First Railroad

by Don LaCombe, #Behind The Scenes @ The Henry Ford, Greenfield Village history, Greenfield Village, trains, railroads

“Was Henry Ford’s father unhappy that Henry didn’t become a farmer? Did they get along?”

A few years back, my friend Regina stood in the Ford Home and asked that question to the uniformed presenter. We were on a homeschooling field trip with our children.

As many times as I’d been to Greenfield Village, I’d never considered that kind of relationship question. I had a tendency to be fascinated with the stuff – the artifacts, the décor, the period clothing, etc. I was a little surprised with the question, but even more surprised by the detail of presenter’s reply. It was a weekday, and the home wasn’t very busy, so this gentleman graciously took the time to share with us some really interesting insights and stories. That question charged my curiosity to look beyond what I was seeing, and the presenter’s deep knowledge and ability to weave a story transformed how I experienced The Henry Ford.

So, who are these presenters?

To begin with, they aren’t only the people wearing period attire. In addition to those clad in the clothes of the past, uniformed presenters drive Model Ts, carriages and other historic transportation; they operate the carousel and work throughout the village, museum and Ford Rouge Factory Tour in a multitude of capacities. They are the working storytellers who help make the artifacts and objects at The Henry Ford come alive – a key element to turning a visit into an inspirational experience.

“Presenters are an all part-time staff of highly committed, highly educated people,” Jim Van Bochove, The Henry Ford’s director of workforce development told me. They may be college students, teachers, retired professionals or someone who comes to the position with a different background or interest that fits the role. “It’s a unique position, and some people are willing to travel quite a distance to dedicate their time to being a presenter here.” He also said the presenter staff is extremely loyal, and there’s not a lot of turnover. (I’d sure say so. There's a presenter who has been with The Henry Ford for 55 years.)

New presenters and all staff for that matter – service, administrative, volunteer, intern, and executive – start their career at The Henry Ford with a daylong program called Traditions, Vision and Values. It’s a busy season for the training as Greenfield Village’s April 15 opening day approaches.

“It’s up to the all of our colleagues here to deliver The Henry Ford experience to our guests,” Jim said. The TVV training, as they call it, is where they learn about the history, culture and vision of the institution. I caught some of it, and it was a pretty lively time – appropriate for working at such a dynamic place.

This group is enjoying an early March TVV program. Some of the participants are assigned as presenters in one of the seven districts in Greenfield Village such as Working Farms or Edison at Work.

Above, Tim Johnson and Meg Anderson from The Henry Ford’s workforce development department engage new staff. You can see that Henry Ford himself remains an important part of the training.

After this training, presenters go through a day of hospitality training. Then they attend two days of basic presenter training to learn storytelling techniques, engage in role playing, make presentations on newly learned material, and benefit from the constructive comments from other new and experienced presenters.

After the general training, presenters move on to hands-on instruction by their managers, supervisors and site leaders depending on where they will be assigned. Kathie Flack, training and event logistics manager, explained to me that by assigning presenters to specific districts, they have more of an opportunity to really become experts in their area.

Since most new presenters this time of year are gearing up for work assignments in Greenfield Village, they might be instructed on how to start and maintain a fire or cook using a wood burning stove. They may attend Model T driving school or learn to milk a cow, harness a horse, operate a plow, or make candles or pumpkin ale. During this time, they’ll also get some of the details regarding the logistics of working at their assigned venue.

At the William Ford barn, I looked on as an experienced presenter and carriage driver instructed a new presenter in harnessing a horse. It looked pretty complicated to me, but Ryan Spencer, manager of Firestone Farm, assured me that after some practice, it only takes one person five minutes to collar, harness and hitch a team of two horses to a carriage.

Before she can drive visitors, she’ll have to pass certification which includes 50 hours of guided training and passing a driving test with 100-percent.

“It’s pretty involved,” Ryan said. “The driver has to be prepared, and the team has to be confident with the driver. She also has to be able to get out of uncomfortable situations and to anticipate certain others.”

In addition to all the horse-related training necessary, new drivers have to pass a tour test and a written test – also with a perfect score.

The new presenter (on the right) spent the day at Firestone Farm learning about chores in the house and barn. In the photo above, he’s examining the grooves from the pit saw used to cut the white oak into lumber when the Firestone’s built the barn in about 1830. He will most likely be horse trained next winter season. “There’s a lot of other work to learn at the farm first,” Ryan said.

In addition to the specific presenter training, there’s getting dressed for the job. The clothing studio outfits all workers who encounter guests at The Henry Ford – whether it is in a uniform or period-specific gear.

This presenter stands for a final fitting of a new custom ensemble as a seamstress inspects. Tracy Donohue, the manager of the clothing studio said they make most all elements of period attire, with the exception of a few foundational garments such as corsets. Uniforms are also purchased in pieces, but all are tailored for each wearer.

The studio works with curators and available historic resources to fit presenters with the most accurate period clothing. There are often multiple fittings. Tracy said that depending on the detail and the pattern challenges, there might be as many as 80 hours of work put in making one dress.

I have to say, the studio storage warehouse is a pretty spectacular place – with aisles and aisles of period clothing, historically accurate fabrics and accessories, and the fantastic costumes for special events like the Hallowe’en in Greenfield Village and Holiday Nights.

Tracy told me the studio has a very comprehensive cataloging system since it inventories close to 50,000 items.

Once presenters are trained, outfitted and equipped with the key elements of the stories they’ll tell, and after they gain a little experience, they can really dig in to learn more by visiting the reading room at the Benson Ford Research Center.

The green binders above are filled with detailed information and interesting facts specific to the buildings and artifacts; community and domestic life, and customs and historic practices of the time periods represented in Greenfield Village.

Presenters (and visitors for that matter) may also access some primary source materials associated with each building, including its move to Greenfield Village. The photo on the right is of the Wright Brothers’ bicycle shop in its original location, before Henry Ford had it moved to the village from 1127 West Third St. in Dayton, Ohio, in 1937.

It’s no doubt the people who become presenters at The Henry Ford are there because they want to be there. They’re eager to delve into more of the details and history and share it because they understand Henry Ford’s original vision and want to inspire visitors to learn from the traditions of the past to make a better future.

I love this photo I took a couple years ago. This presenter was pleased (and relieved) with her successful first experience making grape preserves.

The Henry Ford staff, Greenfield Village, #Behind The Scenes @ The Henry Ford

Last week we were pleased to announce our partnership with the Autism Alliance of Michigan, a state-based agency dedicated to improving the lives of families with autism. Our goal every day at The Henry Ford is to make sure our guests have an outstanding experience while here on our campus, so calling out special information for guests with autism is something we’re very happy to do.

Providing specialized information for guests’ needs isn’t new to us. We’re always looking to communities to tell us what would make their visit here even better. When we created large-scale maps to hand out on site, we worked with special groups to make sure the printed materials were beneficial to those with vision impairments.

As part of our partnership with AAOM, resource guidelines are being created for families to review prior to their visit. Some of those guidelines will help guests with learning about our:

Environments and sensorial experiences

Dietary options

Areas for noise reduction

Hospitality services

Key members of our front-line staff will also be receiving training in basic aspects of autism. We’ll continue to meet with the AAOM to learn more about autism and improve our offerings for those guests.

Whether you’re enjoying a walk around Greenfield Village or a visit inside Henry Ford Museum, The Henry Ford is a safe place for all families. Everyday our staff members continue to grow and learn how we can best serve the needs of all of our guests.

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Michigan, accessibility, #Behind The Scenes @ The Henry Ford

At The Henry Ford, Conservation’s job is to maintain artifacts as close to original condition as possible while also ensuring access. The Dymaxion House is a fairly fragile aluminum structure, and a very popular exhibit, which makes preservation a little bit of a challenge.

Last year we did some rather major surgery on the Dymaxion House. We opened up the floor and patched all 96 aluminum floor beams to reinforce them where many had developed cracks.

As I explained in past blog posts, linked below, the damages were found primarily on the heavy-traffic side of the house, where our guests walk through. The repair job in 2012 took two months of hard work.

After all that effort, how do we ensure that this kind of damage won’t progress?

This year we are setting up some cool monitoring devices that will help us understand the house better.

All metal structures move. We want to figure out how our beams are moving, and whether the structure can continue to withstand the forces we apply to it.

Under the guidance of our own engineer, Richard Jeryan, who is retired from Ford Motor Company, and with the generous assistance of Ford Senior Chassis Test Engineer Dave Friske and two skilled technicians, Instrumentation Expert Walter Milewsky and Fastener Lab Technician Richard Talbott, we are installing stress and strain gauges along with crack detection and propagation gauges.

These gauges are the kind of very precise instrument used by engineers to find out how structures perform. They are used to test automobile parts (even ones as small as bolts) during design, and are also used on buildings and bridges.

Strain gauges are used to measure the amount of deformation (strain) when a building is loaded. Put another way, stress is a measurement of the load on a material, strain is a measure of the change in the shape of the object that is undergoing stress. We will be recording a baseline stress on the beams with the house empty of people and collecting our strain data on a busy week in the museum (like the Fouth of July!).

The crack detection gauges will alert us to a crack that is starting, and the propagation gauges will tell us how quickly a new crack is progressing.

These tiny devices are glued onto the beams and wires soldered onto them so that electrical resistance can be monitored with special equipment. Engineers gather the electrical resistance data and use formulas to calculate the degree and character of stress. We are applying the gauges in a number of locations to gather the best overall picture of how the beams move.

We also measured the deflection of the structural wire “cage” using a fancy laser-level and we recorded the data. This will enable us to compare yearly readings during our annual inspection to determine how the cage may be moving.

This is science and technology – working for preservation.

Clara Deck is a Senior Conservator at The Henry Ford.

Additional Readings:

• Dymaxion House
  
• Curating & Preserving: The Dymaxion House
  
• Learning about "The House of the Future"
  
• Dymaxion House at its 1948-1991 Site, near Andover, Kansas

technology, #Behind The Scenes @ The Henry Ford, conservation, collections care, Henry Ford Museum, by Clara Deck, Dymaxion House, Buckminster Fuller

The Henry Ford, like many cultural institutions, has been working on digitizing its collections—i.e., photographing and describing them, and making this information available online. While what we have completed is only a drop in the bucket given the vastness of our collections (25 million archival documents and photographs, and 1 million objects), we have made a lot of progress this year and wanted to share what we’ve accomplished.

There are two big projects we took on this year (in addition to many smaller ones). The first was digitization of 250 objects in support of the mobile version of our website. This included adding photographs and descriptions for the many Greenfield Village buildings—for example, check out the Menlo Park Laboratory, the Daggett Farmhouse, the Armington & Sims Machine Shop, and even the Firestone Farm Chicken Shed.

In Henry Ford Museum, we photographed and described objects from each of the permanent exhibits that we considered “can’t miss” artifacts. You’ll see some things you might expect, like the Wienermobile, the Dymaxion House, and the Rosa Parks bus, but have you ever gotten to see some of our lesser-known treasures, such as Cornelius Vanderbilt’s rocking chair, a Brownie camera, flintlock pistols, and a Paul Revere coffeepot?.

The second big project for 2012 was creation of our Curators’ Choice lists. We asked our curators to select the 25 most important objects in our collections in each of 7 categories. (Henry Ford got 50, because, well, his name is on our door—and because 2013 will mark his 150th birthday.) There were three criteria the curators used for their selections: national significance, uniqueness to our institution, and resonance to museum visitors. It tells you a bit about the scope and import of our collections that many of these significant items are not on display—but you can now view them all online. They range from a massive cable strander to a tiny scrap of a poem, from a 17th century horse racing trophy to a 1990s cell phone, from an elegant evening dress

In addition to these two major projects, we also spent 2012 digitizing selections from throughout our collections, many with ties to current exhibits and events. Have you seen our visiting LEGO® exhibit and want more? Check out our digital collection of building toys. Did you make it out to Hallowe’en in Greenfield Village or Holiday Nights? Take a look at some of the vintage greeting cards that help inspire our décor for these events. Were you able to participate in some of our special weekend muster events? Learn more about our collections relating to the War of 1812 or the American Civil War—you may have seen some of these objects on display during your visit!

In addition to the above, we have digitized selections from the following areas of our collections for your immediate browsing pleasure.

From our transportation collections, you can review the Morgan Gies collection, wonderful lantern slides from the early 20th century New York to Paris and New York to Seattle races, and classic design drawings from Bill Mitchell and Virgil Exner.

If you prefer paper-based artifacts, you might take a look at our digital cabinet cards, cartes-de-visite, and trade cards. These provide a glimpse of many aspects of 19th century life.

If you are interested in the historical figures who helped shape American history, try our digital collections relating to designer Don Chadwick, racecar driver Lyn St. James, agricultural pioneer George Washington Carver, and a vastly expanded selection of artifacts related to Henry Ford. We also have a variety of personal documents from notables including Abraham Lincoln, Aaron Burr, George Washington, Mark Twain, and Alexander Graham Bell. Read their own words in their own hand from the comfort of your home!

But wait, there’s more! Check out quilts, coverlets, stoves, telephones, lunchboxes, patent models, steam engines, toys, typewriters, and violins, as well as many objects from our World’s Fair and agricultural collections.

Phew.

In total, with all of the above objects digitized (and, believe it or not, many more I did not mention), we added about 8,000 new objects to our collections site in 2012! Still, we have much, much more to do. We are still in the process of putting our 2013 list together, but we know we will be tackling areas of our collections related to agricultural, industrial, and technological innovations, as well as automobile racing. In addition, we’ll continue digitizing collections objects to bring some context to several 2013 milestones: the 150th birthday of Henry Ford, the 100th birthday of Rosa Parks, and the 50th anniversary of John F. Kennedy’s death.

The single biggest reason we have embarked on this massive digitization project is to provide easy public access to our collections, the vast majority of which are not on display. As we reflect on our efforts last year, I and everyone on our digitization team hope that you are finding our digital collections as fascinating, enjoyable, and informative as we are. If there are areas of our collection you would like to see us digitize in 2013, please let us know in the comments below or via our Facebook page.

Ellice Engdahl, Digital Collections & Content Manager at The Henry Ford, is very excited by the digitization promise of 2013.

Henry Ford Museum, Greenfield Village buildings, Greenfield Village, digitization, digital collections, by Ellice Engdahl, #Behind The Scenes @ The Henry Ford

Image ID THF208776

One of the great pleasures of being archivist at The Henry Ford is the continuing ability to receive interesting collections and to meet the donors. One such person was Edward Gies, who called to ask if we would be interested in some photographs of presidential vehicles. Since we have a number of presidential vehicles in our collection, but not a large amount of support material, I said I certainly was. He said he and his wife were planning a trip to the museum and he would bring the material along. When Mr. Gies arrived, he brought a small but very rich collection not only of photographs but also of ceremonial flags that had flown on a number of our vehicles.

What made the experience even more exciting was to discover that the collection had been gathered by Mr. Gies’ father, Morgan Gies. Morgan Gies was a member of the United States Secret Service and the man in charge of the White House vehicles. He held that position for 27 years, serving five presidents from Franklin Roosevelt to Lyndon Johnson. In addition to overseeing the White House fleet, he was often the driver of the presidential vehicle or the backup car.

ID THF208770

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railroads, airplanes, #Behind The Scenes @ The Henry Ford, archives, presidents, by Terry Hoover, cars, presidential vehicles, limousines

This past weekend marked the 75th anniversary of Lovett Hall. Tucked in between Henry Ford Museum and Greenfield Village sits the stately hall, a well-known icon on The Henry Ford campus.

Lovett Hall is named after Benjamin Lovett, an accomplished dance instructor and friend of Henry Ford. Benjamin grew up loving music and dance, and after teaching himself how to dance began giving lessons with his wife, Charlotte. The Lovetts eventually made their way to Dearborn in 1924 at the urging of Henry.

Henry loved the community dances of his youth. Henry believed everyone should love dancing as much as he did, so he hired Benjamin to call the dances and teach others. If you wanted to associate with both Henry and his wife Clara, you needed to be ready to dance.

When Greenfield Village Schools opened in the late 1920s, dancing was part of the curriculum. It would be a few years before the students had a formal location to dance. As Henry’s educational campus began to expand, plans for a larger education building were made. Lovett Hall, known as the “recreation building” opened its doors in 1937 after a year of construction and featured a lavish ballroom. Monthly dances were a common occurrence at Lovett Hall, with Henry and Clara on the dance floor and Benjamin calling the dance steps.

Lovett Hall wasn’t just for dancing, though. Upon its opening in 1937 it quickly became a home to Greenfield Village high school and Institute of Technology students. The hall’s pool and gym were marveled at by many. The building also provided laboratories, drafting rooms, and even a library to the students. Benjamin eventually became the head of the Department of Social Training and the Art of Dance. The institute closed in 1943 and the high school closed in 1952. Lovett Hall continued to act as an educational building, offering dormitory programs and adult education classes. Often referred to as the education building in years past, Lovett Hall remains the formal name for the structure.

After Edsel Ford died in 1943, Henry lost most of his passion for dancing. Henry’s health began to fail and the importance he had once placed on dancing began to wane. Benjamin died in 1952 at the age of 76.

Today, Lovett Hall serves a variety of purposes at The Henry Ford, with one of them being a venue for private events. The spirit of Benjamin is alive and well during the countless wedding receptions held in the hall as happy guests take to the much rumored “spring-loaded” dance floor and dance the night away.

If you have any memories of Lovett Hall you’d like to share, we’d love to hear them!

Lish Dorset is Social Media Manager at The Henry Ford.

teachers and teaching, childhood, Henry Ford, events, education, #Behind The Scenes @ The Henry Ford, by Lish Dorset

Conservators at the Henry Ford Museum are collaborating with violin experts to prepare Henry Ford’s personal violin collection for an upcoming permanent display in Henry Ford Museum. The violins, which have been in storage for a number of years, are being examined, analyzed and in some instances conserved for long-term display and potential use in concerts.

As a violin enthusiast, Henry Ford purchased some of the finest instruments including violins made by Antonio Stradivari (1644-1737), Bartolomeo Giuseppe Antonio Guarneri (1698-1744) and Carlo Bergonzi (1683-1747).

In 2010 master violin restorer Ashot Vartanian of Shar Music in Ann Arbor, Mich., repaired the Bergonzi to prepare it for exhibition and a concert in Cremona, Italy.

Later this year Henry Ford’s 1703 Stradivarius violin will travel to Cremona to replace the Bergonzi, which will return to The Henry Ford for examination and analysis. Sharon Que of Sharon Que Violin Restoration and Repair is currently working with Chief Conservator Mary Fahey to evaluate the condition of the violin and to make necessary repairs. The retention of original varnish and wood as well as the preservation of the extraordinary sound of the violin is paramount.

Radiologist Dr. John Bonnett of Henry Ford Hospital and luthier Ray Schryer (Schryer Violin) partnered with Henry Ford Museum staff in 2010 to create CT scan (computed tomography) images of the violins in a quest for information concerning their condition and past repairs. Among other findings the scans revealed areas of old insect damage, previously unseen by the naked eye, in addition to delicate repairs on the interior of the museum’s Guarneri Del Gesu violin.

21st century, 2010s, Michigan, Dearborn, Europe, 18th century, 17th century, violins, musical instruments, music, Henry Ford Museum, conservation, collections care, #Behind The Scenes @ The Henry Ford

In need of some pumpkin carving inspiration? Check out our new THF Freebies page. You'll find a set of stencils to carve your pumpkin with this weekend! Check out our video to see the Model T stencil in action.

cars, Model Ts, holidays, making, Halloween, #Behind The Scenes @ The Henry Ford